英语翻译Again,other comments questioned the product of the trick

英语翻译
Again,other comments questioned the product of the trick invention feature.They questioned the value of the tricks so developed.They asked if tricks thus conceived would have that mark of greatness that is revealed by the classics.
First,I quarrel with the idea that any trick in itself is great.In my belief,tricks are only great
because of greatness given them through great performances.I feel that these tricks we term "classics" have become so through the life breathed into them by those who have performed them.
The best answer to any contrary claim would be to cite that any of our classics become downright
dismal when poorly presented.
Let's look at these classics to see what life they possess:
A number of rings,apparently solid,become linked and unlinked.That is the trick plot of The
Linking Rings.
A small wooden ball appears.Then there are two,three and finally,four.They disappear one by
one.Such is the trick plot of The Multiplying Billiard Balls.
An egg,placed in a small cloth bag,disappears.Finally,it is found to be in the bag again.You,of course,recognize the trick plot of The Egg Bag.
Two packets of fifteen cards each are counted out.They are placed in different locations.Threecards leave one packet and mysteriously travel to the other.The trick plot of The Thirty Card Trick has been told completely.
A number of small balls mysteriously appear under any of three cups.Then they variously appear
and disappear under various cups.
Be frank with yourself.Can you find the essential spark of life in any of those trick plots?Can
you find that ingredient which caused them to become classics?
I think not.Frankly,I don't think the vital ingredients are there.I don't think you will find life in
any trick plot.That's why I feel that the trick plots evolved through THE TRICK BRAIN may be equal or
superior to those tricks we have chosen as classics.
Well,where is this life?
注意：我要的是：
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再一次,其他的意见询问了诡计发明特征的产品.他们询问了诡计的价值如此发展.是否诡计如此构思会有,他们问被古典作品显示的大标志.
首先,我用 主意吵架任何的诡计本来很很棒.在我的信念方面,诡计只有很棒
因为大经过很棒的表现给他们.我感觉这些戏弄我们称 "古典作品" 已经经过生活这麽变得被那些有运行他们的人进入他们之内呼吸.
对於～的最好答案～任何的相反要求会要引证任何我们的古典作品变成明白
阴郁的当贫穷地呈现.
让我们看着这些古典作品看见他们持有什麽生活:
许多的戒指,显然地固体,变成联编而且解开的环节.那是诡计情节那
联编戒指.
一个小的木制球出现.然后那里是二,三和最后,四.他们消失一被
一.如此的是诡计情节那繁殖撞球的球.
被放在～之内一个小的布料袋子的一个蛋,消失.最后,它被发现再一次在袋子中.你,当然,认识蛋袋子的诡计情节.
十五张卡片的二个储存器每个被计算出.他们被放在～之内不同的位置.Threecards 留下一储存器并且神秘地旅行到另一个.三十个卡片诡计的诡计情节有完全地被告诉.
许多的小球神秘地出现在三杯子之中的任何一个之下.然后他们各种不同的出现
而且消失在各种不同的杯子之下.
感到坦白你自己.你能在那些诡计情节之中的任何一个中找生活的必要火花吗?罐子
你发现那种引起了他们变成古典作品的成分?
我想不.坦白地,我不 认为重要的成分在那里.我不 认为你将会找生活在
任何的诡计情节.那是我为什麽感觉诡计情节进展过诡计脑可能是相等的或
长者到那些戏弄我们有选择如古典作品.
好吧,生活在哪里?